Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 6 | 14.0% |
| Gm7 | 5 | 11.6% |
| Cm7 | 5 | 11.6% |
| D7b9/F# | 4 | 9.3% |
| Fm6 | 4 | 9.3% |
| Ebm7 | 3 | 7.0% |
| Emaj7 | 2 | 4.7% |
| Bbmaj7 | 2 | 4.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> D7b9/F# | Setup (Major Key) | 2 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The chromatic bass descent (G-Gb-F-E-Eb) creates a dense, melancholic atmosphere through the use of slash chords like D7b9/F# and Fm6.
- The inclusion of Emaj7 serves as a striking non-diatonic neighbor chord to the submediant Ebmaj7, typical of Jobim’s “limit” harmony.
- A pivot modulation via A13#9 leads to a bright Dmaj7, establishing a brief tonal shift to the parallel major key area.
- The Ab7#11 functions as a tritone substitute (subV7) for the dominant D7, facilitating a smooth re-entry into the G minor tonic.
Improvisation Focus G Melodic Minor, specifically utilizing the dark colors of the minor-major 7th sound and smooth voice leading through the chromatic descents.
Difficulty Rating 4/5. The non-functional transitions and constant chromatic movement require advanced horizontal awareness and precise navigation of shifting tonal centers.
📚 Standard Available in:
The Real Latin Book
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