Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 11 | 29.7% |
| C7 | 7 | 18.9% |
| Bb7 | 5 | 13.5% |
| Eb6 | 4 | 10.8% |
| Ebmaj7 | 2 | 5.4% |
| G7 | 2 | 5.4% |
| Gm7 | 2 | 5.4% |
| Gb07 | 1 | 2.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fm7 | Resolution (Minor) | 5 |
| Fm7 -> Bb7 | Setup (Major Key) | 5 |
| Fm7 -> C7 | Setup (Major Key) | 2 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Secondary dominant movement (III7 to VI7) creates a strong chromatic pull from the I chord (Ebmaj7) toward the ii chord (Fm7).
- A chromatic passing diminished chord (Gb°7) is utilized to bridge the gap between the iii (Gm7) and the ii (Fm7).
- The progression features classic functional harmony, relying on prolonged ii-V-I cadences in Eb major to anchor the tonality.
Improvisation Focus Applying the Mixolydian scale (or Lydian b7) over the secondary dominants to emphasize the non-diatonic thirds.
Difficulty Rating 2/5: The tune follows predictable functional patterns and standard jazz turnarounds, making it highly accessible for intermediate improvisers.