Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 7 | 14.9% |
| G7 | 7 | 14.9% |
| Cmaj7 | 6 | 12.8% |
| Am7 | 5 | 10.6% |
| Gm7 | 2 | 4.3% |
| C7 | 2 | 4.3% |
| Fmaj7 | 2 | 4.3% |
| Em7b5 | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 5 |
| G7 -> Cmaj7 | Resolution (Major) | 5 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Em7b5 -> A7b9 | Setup (Minor Key) | 2 |
| A7b9 -> Dm7 | Resolution (Minor) | 2 |
| Dm7 -> G7sus | Setup (Major Key) | 2 |
| E7b13 -> Am7 | Resolution (Minor) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| A7b13 -> Dm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Diatonic Foundation: The structure relies on standard I-vi-ii-V and I-V-I cycles, firmly grounding the ear in C Major.
- Subdominant Tonicization: Employs a ii-V (Gm7-C7) to pivot momentarily toward the IV chord (Fmaj7).
- Minor ii-V Progressions: Incorporates Em7b5-A7b9 to create harmonic tension and sophisticated voice-leading toward the Dm7 (ii) chord.
- Chromatic Connectors: Uses Eb°7 and E7b13 as passing chords to provide smooth linear motion between diatonic anchors like C/E and Am7.
Improvisation Focus C Major scale (Ionian), with a shift to D Harmonic Minor over the Em7b5-A7b9 sequence to highlight the altered dominant tensions.
Difficulty Rating 2/5: The predictable functional harmony and typical ballad tempo provide a manageable entry point for students learning to navigate secondary dominants.
📚 Standard Available in:
The Real Book - Volume IV
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