Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 13 | 27.7% |
| Bb7 | 10 | 21.3% |
| Fm7 | 8 | 17.0% |
| Abmaj7 | 3 | 6.4% |
| Cm7 | 3 | 6.4% |
| E07 | 2 | 4.3% |
| Eb7 | 2 | 4.3% |
| A07 | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 8 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 8 |
| Eb7 -> Abmaj7 | Resolution (Major) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Features frequent II-V-I progressions establishing a clear Eb major tonality.
- Employs the characteristic
Imaj7 -> #I diminished -> iim7movement (Ebmaj7 -> E07 -> Fm7). - Utilizes a secondary dominant function leading to the IV chord (Ebmaj7 -> Eb7 -> Abmaj7).
- Incorporates a chromatic diminished passing chord between IV and I (Abmaj7 -> A07 -> Ebmaj7).
Improvisation Focus: Diminished scales to navigate the prominent chromatic diminished chords.
Difficulty Rating: 3 (Intermediate) – It integrates standard diatonicism with essential jazz chromaticisms, demanding awareness of altered scales and passing chord resolutions.