Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 5 | 20.0% |
| C7 | 5 | 20.0% |
| Fmaj7 | 2 | 8.0% |
| Am7 | 2 | 8.0% |
| Ab07 | 2 | 8.0% |
| Bb6 | 2 | 8.0% |
| G7 | 2 | 8.0% |
| Cm7 | 1 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 5 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
| Am7b5 -> D7 | Setup (Minor Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a chromatic descending turnaround (Am7โAbยฐ7โGm7) where the diminished chord acts as a passing chord to the ii7.
- Utilizes a secondary dominant ii-V (Cm7โF7) to tonicize the IV chord (Bb6), a hallmark of swing-era song forms.
- Features a II7 (G7) secondary dominant, creating a strong circle-of-fifths resolution toward the dominant Gm7โC7.
- The structure follows a standard AABA 32-bar form, relying heavily on functional ii-V-I resolutions in F major.
Improvisation Focus F Major Bebop Scale (incorporating the chromatic passing tone between C and D).
Difficulty Rating 2/5: The harmonic rhythm is predictable and the modulations are limited to closely related keys, making it accessible for developing soloists.
๐ Standard Available in:
The Real Book - Volume II
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