Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Eb7 | 6 | 16.7% |
| Bb7 | 5 | 13.9% |
| Bbm7 | 4 | 11.1% |
| F7 | 3 | 8.3% |
| Ab7 | 2 | 5.6% |
| G7 | 2 | 5.6% |
| Gb7 | 2 | 5.6% |
| Fm7 | 2 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbm7 -> Eb7 | Setup (Major Key) | 4 |
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Ebmaj7 -> Bb7 | Setup (Major Key) | 1 |
| Eb7 -> Bbm7 | Resolution (Minor) | 1 |
| F7 -> Bbm7 | Resolution (Minor) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Features a chromatic minor line clichΓ© (Fm β Fm/maj7 β Fm7 β Dm7b5) providing internal voice-leading movement over the stable tonic minor.
- Incorporates a descending dominant cycle (G7 β Gb7 β F7 β Bb7) utilizing tritone substitutions to create chromatic tension toward the subdominant.
- Uses a classic bVI7 to V7 (Db7 to C7) turnaround, providing a strong functional resolution back to the F minor center.
Improvisation Focus F Melodic Minor, specifically targeting the shifting inner voices (E natural, Eb, D natural) to outline the tonic minor expansions.
Difficulty Rating 3 (Intermediate): The progression requires navigating rapid secondary dominants and maintaining harmonic clarity through complex minor-key voice leading.
π Standard Available in:
The Real Book - Volume I
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