Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| D7sus | 4 | 12.5% |
| Dmaj7 | 4 | 12.5% |
| Am7 | 2 | 6.2% |
| D7 | 2 | 6.2% |
| Bbmaj7 | 2 | 6.2% |
| Em7 | 2 | 6.2% |
| Am7b5 | 2 | 6.2% |
| D7b9 | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The static D7sus opening shifts abruptly to Dmaj7, utilizing non-functional chromaticism to create Wayne Shorter’s signature “shimmering” modal effect.
- A sequential chain of ii-V-I progressions modulates by a minor third (G major to Bb major), requiring agile navigation of distal key centers.
- The inclusion of a minor ii-V (Am7b5 to D7b9) serves as a functional pivot to reconcile the bright major modulations with the G minor home key.
Improvisation Focus Modal interchange and navigating rapid tonal shifts using Lydian and Mixolydian colors.
Difficulty Rating 4/5. The combination of non-functional dominant pedals and high-speed modulations between unrelated major keys requires advanced harmonic visualization and technical facility.
📚 Standard Available in:
The Real Book - Volume I
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