Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| A7 | 6 | 13.3% |
| G7 | 6 | 13.3% |
| Cmaj7 | 5 | 11.1% |
| E7 | 4 | 8.9% |
| D7 | 4 | 8.9% |
| F7 | 2 | 4.4% |
| Em7 | 2 | 4.4% |
| Dm7 | 2 | 4.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| G7 -> Cmaj7 | Resolution (Major) | 4 |
| Cmaj7 -> F7 | Setup (Major Key) | 2 |
| Em7 -> A7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 2 |
| E7 -> Am7 | Resolution (Minor) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Cmaj7 -> G7 | Setup (Major Key) | 2 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a “backdoor” dominant (F7) that resolves smoothly to the mediant (Em7) or tonic, adding a sophisticated subdominant minor flavor.
- The bridge features an extensive sequence of secondary dominants (F#7-B7-E7-A7-D7-G7) following the circle of fifths to return to C major.
- Chromatic passing motion is utilized via the F#dim7 to Cmaj7/G progression, bridging the subdominant and the tonic with voice-led efficiency.
Improvisation Focus Navigating the cycle of fifths using the Mixolydian scale and dominant cycle resolutions.
Difficulty Rating 3/5. While the A section is diatonic and accessible, the bridge requires rapid harmonic navigation through a dense series of secondary dominant chords.