Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm | 11 | 64.7% |
| C7 | 3 | 17.6% |
| F7 | 1 | 5.9% |
| Bb7 | 1 | 5.9% |
| G7 | 1 | 5.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fm | Resolution (Minor) | 2 |
| Fm -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Static F minor tonicization for the initial six measures establishes a rhythmic “pedal point” characteristic of the work song aesthetic.
- The sequence of F7 to Bb7 functions as a secondary dominant (V7/IV) moving to a subdominant chord, common in jazz-blues structures.
- A G7 to C7 turnaround acts as a II-V of the dominant (V/V to V), providing a strong drive back to the tonic Fm.
- The structure follows a 16-bar minor blues variation, prioritizing basic functional cadences over complex modulations.
Improvisation Focus F Minor Blues Scale.
Difficulty Rating 2; the repetitive structure and slow harmonic rhythm allow soloists to focus on rhythmic phrasing and blues vocabulary without navigating dense chord changes.
📚 Standard Available in:
The Real Book - Volume II
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