Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 9 | 17.6% |
| G7 | 8 | 15.7% |
| Am7 | 7 | 13.7% |
| D7 | 4 | 7.8% |
| Cm7 | 4 | 7.8% |
| G7b9 | 3 | 5.9% |
| Bb0 | 2 | 3.9% |
| G6/B | 2 | 3.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 3 |
| G7b9 -> Cm7 | Resolution (Minor) | 3 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- V7-I7 Alternation: The A-section centers on a repetitive G7 to C7 movement, establishing a dominant-heavy blues tonality rather than a traditional diatonic tonic resolution.
- Chromatic Descending Resolution: Employs a ii-bII7-I7 (Dm7-Db7-C7) sequence, utilizing Db7 as a tritone substitute for G7 to create smooth semitone voice leading into the tonic.
- Passing Diminished Harmony: The Bbยฐ acts as a chromatic bridge between the vi (Am7) and the tonic inversion (G6/B), facilitating a linear bass climb.
- Parallel Modal Shift: The bridge introduces Cm7 and Gm7, pivoting the key center from C major to the parallel C minor to deepen the harmonic tension.
Improvisation Focus C Mixolydian and C Blues scales to navigate the dominant-seventh-heavy A-sections.
Difficulty Rating 3/5 (Intermediate). While the slow tempo is accessible, the constant shift between major and minor tonalities and the use of tritone substitutions require precise harmonic awareness.
๐ Standard Available in:
The Real Book - Volume II
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