Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cm7 | 8 | 23.5% |
| Bb6 | 6 | 17.6% |
| F7 | 5 | 14.7% |
| Bbmaj7 | 4 | 11.8% |
| G7 | 2 | 5.9% |
| Eb6 | 2 | 5.9% |
| Dm7 | 1 | 2.9% |
| F7#5 | 1 | 2.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 5 |
| G7 -> Cm7 | Resolution (Minor) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| F7 -> Cm7 | Resolution (Minor) | 1 |
| F7#5 -> Bbmaj7 | Resolution (Major) | 1 |
| Fm7 -> Bb7 | Setup (Major Key) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
- Employs a descending ii-V chain, using
Dm7-G7(ii-V of Cm) before the mainCm7-F7(ii-V of Bb). - Extended duration of the
Cm7(ii chord) builds anticipation for the dominantF7resolution. - The
F7#5alteration on the dominant chord adds distinct harmonic color prior to resolution. - Features a standard
Fm7-Bb7(ii-V) progression leading to the subdominantEb6.
Improvisation Focus: Bebop scales for outlining chord changes and dominant function.
Difficulty Rating: 3/5. Relies heavily on diatonic ii-V-I progressions with some minor alterations, making it accessible for foundational harmonic study.