Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm7 | 9 | 25.0% |
| G7 | 9 | 25.0% |
| Cmaj7 | 4 | 11.1% |
| C6 | 3 | 8.3% |
| A7b13 | 2 | 5.6% |
| F7 | 2 | 5.6% |
| Em7 | 2 | 5.6% |
| Eb07 | 2 | 5.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 9 |
| G7 -> Dm7 | Resolution (Minor) | 3 |
| A7b13 -> Dm7 | Resolution (Minor) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| Am7 -> D7 | Setup (Major Key) | 1 |
- The
A7b13chord functions as a V7/ii (V of Dm7) with an altered extension, adding a characteristic jazz tension and color to the secondary dominant. - A
F7(bVII7 or “backdoor” dominant) resolves deceptively toEm7, followed by a chromatic passing diminishedEb07leading into theDm7 G7ii-V progression. - The striking
C07(C fully diminished seventh) creates a brief, intense chromatic tension right before theCmaj7tonic, requiring specific voice leading and scale considerations.
Improvisation Focus: Altered Scale (Super Locrian) for navigating the various dominant seven chords with altered extensions.
Difficulty Rating: 3 (Intermediate). While the core is a standard II-V-I, the specific altered dominant A7b13, the deceptive F7 movement, and the unique C07 demand a more sophisticated harmonic understanding.