Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| E | 4 | 10.5% |
| Fmaj7 | 3 | 7.9% |
| G7 | 3 | 7.9% |
| Bb7#11 | 2 | 5.3% |
| Cmaj7 | 2 | 5.3% |
| Am7 | 2 | 5.3% |
| D7 | 2 | 5.3% |
| G7/F | 2 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fmaj7 -> Bb7#11 | Setup (Major Key) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| F#m7 -> B7 | Setup (Major Key) | 2 |
| Fmaj7 -> Bb7 | Setup (Major Key) | 1 |
- Strong dominant function leading towards the tonic (E7sus-E7), followed by major tonicizations of the dominant (E, Emaj7, E6).
- Frequent tonicization of the dominant key (E major) through a clear ii-V-I progression (F#m7-B7-E).
- Incorporation of a tritone substitution (Bb7#11 for E7), introducing a Lydian dominant sound and bluesy inflection.
- Chromatic pre-dominant movement with Fø7 leading into F#m7, creating a semi-tone upward shift before the ii-V-I to E.
Improvisation Focus: A melodic minor and its related modes.
Difficulty Rating: 3 (Intermediate). The piece features clear functional harmony but includes modulations to the dominant and a tritone substitution, requiring adaptable soloing.