Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 7 | 17.1% |
| Am | 3 | 7.3% |
| Bm7 | 3 | 7.3% |
| E7 | 3 | 7.3% |
| E7b13 | 3 | 7.3% |
| Bm7b5 | 3 | 7.3% |
| Am/G# | 2 | 4.9% |
| Am7/G | 2 | 4.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bm7 -> E7 | Setup (Major Key) | 2 |
| E7 -> Amaj7 | Resolution (Major) | 2 |
| E7b13 -> Am | Resolution (Minor) | 2 |
| Abm7 -> Db7 | Setup (Major Key) | 1 |
| Db7 -> Gbmaj7 | Resolution (Major) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Bm7 -> E7b13 | Setup (Major Key) | 1 |
| Bm7b5 -> E7 | Setup (Minor Key) | 1 |
| Bm7b5 -> E7b13 | Setup (Minor Key) | 1 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 1 |
- Elegant chromatic descending bass line (Am, Am/G#, Am7/G) leading to a #ivø7 (F#m7b5) before resolving to bVI (Fmaj7).
- Fluid movement between A minor and A major tonality, prominently featuring ii-V-I progressions (Bm7-E7-Amaj7).
- Striking, distant modulation to Gb major via a ii-V-I (Abm7-Db7-Gbmaj7) provides significant harmonic complexity.
Improvisation Focus: Navigating ii-V-I sequences across multiple, often distant, tonal centers.
Difficulty Rating: 5 (Advanced) – Requires significant harmonic awareness to navigate rapid, distant modulations and altered dominant sonorities effectively.