Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Ebmaj7 | 4 | 13.8% |
| F7 | 4 | 13.8% |
| Fm7 | 4 | 13.8% |
| Bb7 | 4 | 13.8% |
| Eb6 | 3 | 10.3% |
| Gmaj7 | 2 | 6.9% |
| Fmaj7 | 2 | 6.9% |
| E6 | 2 | 6.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 4 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression begins on the IV chord (Ebmaj7), creating a suspended harmonic feel that delays resolution to the tonic Bb major.
- Legrand utilizes parallel major-to-minor shifts (Gmaj7 to Gm7; Fmaj7 to Fm7) to facilitate rapid modulations between temporary key centers.
- Frequent ii-V7 cycles (Fm7–Bb7 and Gm7–C7) serve as functional pivots, often resolving deceptively or targeting the IV chord instead of the I.
- The structure features constant tonal movement through Eb, F, and Bb major, requiring a “global” view of harmonic shifts.
Improvisation Focus Voice leading through guide tones (3rds and 7ths) during parallel major-to-minor transitions.
Difficulty Rating 3/5. The frequent modulations and non-tonic starting point require intermediate navigation of shifting key centers despite the typically moderate tempo.
📚 Standard Available in:
The Real Book - Volume II
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