Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 4 | 13.8% |
| Cm7 | 4 | 13.8% |
| Bb7 | 3 | 10.3% |
| Eb6 | 3 | 10.3% |
| Gm7 | 2 | 6.9% |
| Ebmaj7 | 1 | 3.4% |
| F7 | 1 | 3.4% |
| Bbmaj7 | 1 | 3.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 3 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Cm7 -> G7b13 | Setup (Major Key) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes a temporary modulation to the dominant (Bb major) via a ii-V-I sequence (Cm7 - F7 - Bbmaj7), requiring the improviser to pivot between Eb and Bb tonal centers.
- A descending bass line (Gm7/D - Cm7 - Cm7/Bb - Am7b5) creates a linear, chromatic transition that bridges the diatonic chords back to the primary ii-V turnaround.
- Functional secondary dominants like G7b13 (V/vi) and C7 (V/ii) add harmonic tension and directional pull toward the Cm7 and Fm7 targets.
Improvisation Focus Guide tone navigation to smoothly connect shifting key centers and secondary dominant resolutions.
Difficulty Rating 3/5. The 3/4 waltz meter and frequent shifts to the dominant key require more rhythmic and harmonic agility than a standard diatonic ballad.
📚 Standard Available in:
The Real Book - Volume I
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