Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 11 | 20.0% |
| Fmaj7 | 10 | 18.2% |
| C7 | 9 | 16.4% |
| D7b9 | 7 | 12.7% |
| Eb7 | 4 | 7.3% |
| D7 | 3 | 5.5% |
| Bbm7 | 2 | 3.6% |
| Am7 | 2 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 9 |
| C7 -> Fmaj7 | Resolution (Major) | 7 |
| D7b9 -> Gm7 | Resolution (Minor) | 6 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| Am7 -> D7b9 | Setup (Major Key) | 2 |
| Gm7 -> D7b9#5 | Setup (Major Key) | 1 |
| D7b9#5 -> Gm7 | Resolution (Minor) | 1 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
| Bbmaj7 -> Eb7 | Setup (Major Key) | 1 |
| D7 -> Gm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent ii-V-I resolutions (Gm7-C7-Fmaj7) firmly anchor the composition in F Major.
- The Bbm7-Eb7 sequence functions as a “back-door” ii-V (iv-bVII7), providing a subdominant minor flavor before returning to the tonic.
- Secondary dominants, specifically D7b9 (V/ii), introduce chromaticism and strong directional pull toward the Gm7.
- Diatonic turnarounds (Am7-D7b9-Gm7-C7) utilize standard cyclic motion to maintain harmonic momentum.
Improvisation Focus Chord tone targeting and voice leading through ii-V-I cells.
Difficulty Rating 2/5; the progression relies on standard functional harmony and predictable resolutions, making it accessible for intermediate players.
📚 Standard Available in:
The Real Book - Volume III
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.