Chord Distribution Analysis

Chord SymbolCountFrequency
Amaj7818.6%
Am7511.6%
D7511.6%
Bm737.0%
Fmaj7#1124.7%
C#m724.7%
C#maj724.7%
F#724.7%

Key Patterns Detected

PatternFunctionFrequency
Am7 -> D7Setup (Major Key)5
D7 -> Am7Resolution (Minor)3
Bm7 -> E7Setup (Major Key)2
C#m7 -> F#7b9Setup (Major Key)1
F#7b9 -> Bm7Resolution (Minor)1
G#m7b5 -> C#7b9Setup (Minor Key)1
C#7b9 -> F#m7Resolution (Minor)1
G#7#9 -> C#maj7Resolution (Major)1
D#m7 -> G#7Setup (Major Key)1
G#7 -> C#maj7Resolution (Major)1
C#maj7 -> F#7Setup (Major Key)1
F#7 -> Bm7Resolution (Minor)1
E7 -> Amaj7Resolution (Major)1
D7 -> Amaj7Resolution (Major)1
Em7 -> A7Setup (Major Key)1
A7 -> Dmaj7Resolution (Major)1
Dmaj7 -> G7Setup (Major Key)1
C#m7 -> F#7Setup (Major Key)1
E7 -> Am7Resolution (Minor)1

Harmonic Highlights

  • The bVI major chord (Fmaj7#11) introduces a signature Jobim modal interchange, providing a Lydian color that resolves back to the tonic Amaj7.
  • A significant modulation to the mediant major (C# major) occurs via a series of secondary dominants and minor ii-V progressions (G#m7b5โ€“C#7b9).
  • The progression utilizes chromaticism through dominant chords with altered tensions (F#7b9, G#7#9) to bridge the gap between distant tonal centers.
  • Functional cyclical motion through the circle of fifths (F#7 to Bm7 to E7) ensures a smooth return to the A major home key.

Improvisation Focus Navigating the F Lydian scale over the bVI major chord and managing the rapid transition into C# major.

Difficulty Rating 4/5. The tune requires advanced proficiency in navigating abrupt modulations to distant keys and managing non-diatonic modal substitutions.


๐Ÿ“š Standard Available in:

The Real Book - Volume I
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