Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gmaj7 | 8 | 14.0% |
| C/D | 7 | 12.3% |
| C | 6 | 10.5% |
| Em | 5 | 8.8% |
| B7 | 3 | 5.3% |
| Em7 | 3 | 5.3% |
| D | 2 | 3.5% |
| Bbmaj7 | 2 | 3.5% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| B7 -> Em | Resolution (Minor) | 2 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| B7 -> Em7 | Resolution (Minor) | 1 |
Harmonic Highlights:
- Employs the secondary dominant B7 (V/vi) leading to Em, providing classic diatonic tension and resolution.
- Features significant modal mixture, notably Dm, Bbmaj7 (bIIImaj7), and Fmaj7 (bVIImaj7), requiring shifts from the primary G major key center.
- The C/D chord frequently functions as a Gsus4/G dominant (IV/V), creating extended harmonic suspension before resolution.
Improvisation Focus: Navigating modal interchange and temporary tonal centers.
Difficulty Rating: 4 - Advanced. The frequent non-diatonic chords and sophisticated modal shifts demand a strong harmonic understanding beyond basic diatonic improvisation.