Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Eb7 | 6 | 12.8% |
| Abmaj7 | 6 | 12.8% |
| Bbm7 | 5 | 10.6% |
| Dm7 | 3 | 6.4% |
| G7 | 3 | 6.4% |
| Cm7 | 3 | 6.4% |
| C#m7 | 3 | 6.4% |
| F#7 | 3 | 6.4% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bbm7 -> Eb7 | Setup (Major Key) | 5 |
| Eb7 -> Abmaj7 | Resolution (Major) | 5 |
| Dm7 -> G7 | Setup (Major Key) | 3 |
| G7 -> Cm7 | Resolution (Minor) | 3 |
| C#m7 -> F#7 | Setup (Major Key) | 3 |
| F#7 -> Bmaj7 | Resolution (Major) | 3 |
| Gm7b5 -> C7 | Setup (Minor Key) | 2 |
| C7 -> Fm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Uses sequential ii-V-I blocks that modulate chromatically, notably the jump from Cm7 to a ii-V-I in B major (C#m7-F#7-Bmaj7).
- Employs “side-slipping” harmony where tonal centers shift by a half-step to create melodic tension.
- Returns to the subdominant of the home key via Bbm7-Eb7-Abmaj7, utilizing a rapid cycle of fourths.
- Features a dense harmonic rhythm where each key center is explored for only one or two measures.
Improvisation Focus Mastering the “cellular” approach to ii-V-I patterns across multiple keys while prioritizing smooth voice leading between shifting centers.
Difficulty Rating 4 (Advanced) because the rapid, non-diatonic key changes require exceptional visualization and the ability to transpose melodic ideas instantly at tempo.