Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am7 | 6 | 23.1% |
| D7 | 5 | 19.2% |
| F7 | 3 | 11.5% |
| Gmaj7 | 2 | 7.7% |
| Dm7 | 2 | 7.7% |
| G7 | 2 | 7.7% |
| C7#11 | 1 | 3.8% |
| Cmaj7 | 1 | 3.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 5 |
| D7 -> Am7 | Resolution (Minor) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| Gmaj7 -> C7#11 | Setup (Major Key) | 1 |
| G7 -> Dm7 | Resolution (Minor) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Cmaj7 -> F7 | Setup (Major Key) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| E7b9 -> Am7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Sequential ii-V-I progressions facilitate smooth modulations between G major and C major, defining the primary harmonic structure.
- The inclusion of C7#11 functions as a Lydian Dominant substitute, providing a sophisticated bridge between the G major and C major tonal centers.
- Use of the F7 chord acts as a “backdoor” bVII7 dominant, offering a non-diatonic chromatic resolution back toward the tonic Gmaj7.
- The Em7-A7-Am7-D7 chain utilizes secondary dominants (VI7 to ii) to create a circular turnaround that maintains forward rhythmic momentum.
Improvisation Focus Navigating modulating ii-V-I cells using major scale and Mixobop scales.
Difficulty Rating 2/5. The progression relies on standard jazz cadences and predictable modulations, making it an ideal study for foundational functional harmony.
📚 Standard Available in:
The Real Vocal Book - Volume IV
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