Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Cmaj7 | 7 | 21.2% |
| Fmaj7 | 4 | 12.1% |
| G7 | 4 | 12.1% |
| Am7 | 3 | 9.1% |
| D7 | 3 | 9.1% |
| Em7 | 2 | 6.1% |
| A7 | 2 | 6.1% |
| Dm7 | 2 | 6.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7 -> Dm7 | Resolution (Minor) | 2 |
| Am7 -> D7 | Setup (Major Key) | 2 |
| G7 -> Cmaj7 | Resolution (Major) | 2 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| D7 -> Am7 | Resolution (Minor) | 1 |
| Cmaj7 -> G7 | Setup (Major Key) | 1 |
- Effective use of the secondary dominant
A7 (V7/ii)resolving toDm7. - The melancholic
Fm6creates a chromatic subdominant color before returning toCmaj7. - A clear modulation to
Bb majoris established through theGm7 C7 Bbmaj7ii-V-I progression. - The
D7 G7progression acts as a V/V leading to the dominant, setting up resolution to the tonic.
Improvisation Focus: Adaptive scale choices based on momentary tonality, emphasizing chord tones and guide tones.
Difficulty Rating: 4 (Advanced Intermediate). The piece demands navigating multiple secondary dominants, a strong temporary modulation, and chromatic harmonies.