Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am7 | 7 | 23.3% |
| D7 | 7 | 23.3% |
| Gmaj7 | 5 | 16.7% |
| G#07 | 2 | 6.7% |
| Cmaj7 | 2 | 6.7% |
| Cm7 | 2 | 6.7% |
| A7 | 1 | 3.3% |
| Bm7 | 1 | 3.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Am7 -> D7 | Setup (Major Key) | 7 |
| D7 -> Am7 | Resolution (Minor) | 2 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| E7 -> Am7 | Resolution (Minor) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Chromatic passing motion via the #io7 (G#dim7) provides a smooth bridge between the Imaj7 (Gmaj7) and the iim7 (Am7).
- Utilization of the IVmaj7 to ivm7 (Cmaj7 to Cm7) transition incorporates modal interchange, introducing the emotive b6 (Eb) from the parallel minor.
- The use of a II7 (A7) secondary dominant functions as a “V of V,” heightening the tension before the final ii-V-I resolution.
Improvisation Focus Voice leading through the IV-iv-I progression, specifically highlighting the movement from E to Eb to D.
Difficulty Rating 2/5 โ The progression relies on standard diatonic functions and common jazz cliches, making it highly accessible for those familiar with basic functional harmony.
๐ Standard Available in:
The Real Book - Volume II
๐ Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.