Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 8 | 19.5% |
| C7 | 8 | 19.5% |
| Gm7 | 6 | 14.6% |
| D7b13 | 3 | 7.3% |
| Am7 | 3 | 7.3% |
| Dm7 | 2 | 4.9% |
| Bm7b5 | 2 | 4.9% |
| E7b9 | 2 | 4.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 6 |
| C7 -> Fmaj7 | Resolution (Major) | 5 |
| D7b13 -> Gm7 | Resolution (Minor) | 3 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 2 |
| E7b9 -> Am7 | Resolution (Minor) | 2 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| Am7 -> D7b13 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression centers on standard I-VI-ii-V turnarounds (Fmaj7-D7b13-Gm7-C7), where the VI chord functions as a secondary dominant to drive the motion toward the ii chord.
- A brief modulation to the mediant (iii) is achieved through a minor ii-V (Bm7b5-E7b9 to Am7), introducing a temporary shift in tonal gravity.
- The structure utilizes back-cycling dominants (D7 to G7 to C7) following the circle of fifths to create a strong, functional resolution back to the F major tonic.
Improvisation Focus The most important concept is navigating secondary dominants by targeting altered extensions (b9, b13) to highlight the shifting harmonic colors.
Difficulty Rating 2/5. The harmonic rhythm is predictable and the modulations are standard jazz vocabulary, making it an ideal entry point for intermediate study of the Great American Songbook.
📚 Standard Available in:
The Real Book - Volume III
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