Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bb7 | 8 | 17.4% |
| Fm7 | 6 | 13.0% |
| Cm7 | 5 | 10.9% |
| Ebmaj7 | 4 | 8.7% |
| C7 | 3 | 6.5% |
| Gm7 | 3 | 6.5% |
| F7 | 3 | 6.5% |
| Bbm7 | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 6 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 3 |
| Bbm7 -> Eb7 | Setup (Major Key) | 2 |
| Eb7 -> Abmaj7 | Resolution (Major) | 2 |
| C7 -> Gm7 | Resolution (Minor) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| F7 -> Bbmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The A sections utilize a classic I-vi-ii-V turnaround (Ebmaj7-Cm7-Fm7-Bb7) which establishes a stable diatonic foundation common in American Songbook ballads.
- A secondary ii-V (Bbm7-Eb7) provides a smooth chromatic transition to the IV chord (Abmaj7), adding harmonic depth to the first half of the form.
- The bridge shifts to the mediant via a minor ii-V (Am7b5-D7b9) resolving to G minor, creating a temporary dark contrast to the major tonic.
- Dominant motion via the circle of fifths (C7-F7-Bb7) creates strong rhythmic momentum and clear voice-leading opportunities back to the tonic.
Improvisation Focus Guide tone targeting (3rds and 7ths) to highlight the frequent ii-V-I transitions and secondary dominant resolutions.
Difficulty Rating 2/5: The progression follows very predictable jazz cycles and standard voice-leading patterns, making it accessible for most intermediate players.
📚 Standard Available in:
The Real Book - Volume II
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