Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C7 | 8 | 33.3% |
| G7 | 7 | 29.2% |
| F7 | 3 | 12.5% |
| D7 | 2 | 8.3% |
| Bb6 | 2 | 8.3% |
| A7 | 1 | 4.2% |
| Ab7 | 1 | 4.2% |
No obvious ii-V patterns detected.
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Extensive use of secondary dominants, specifically D7 (V/V) and C7 (V/IV), creates a classic “circle of fifths” drive characteristic of early jazz and ragtime.
- The sequence of F7 to Bb6 functions as a move to the subdominant (IV) followed by a bVII substitution, introducing blues-inflected modal interchange.
- Harmonic tension is generated through dominant seventh prolongation rather than standard minor ii-V-I cadences, emphasizing Mixolydian colors throughout.
Improvisation Focus Chord-tone soloing emphasizing 3rds and 7ths to navigate the rapid secondary dominant transitions.
Difficulty Rating 2/5 — The progression follows a predictable functional logic and repetitive structure, though navigating the constant dominant changes requires clear voice leading.
📚 Standard Available in:
The Real Book - Volume I
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