Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 9 | 20.5% |
| C7 | 8 | 18.2% |
| F6 | 4 | 9.1% |
| D7#9 | 3 | 6.8% |
| Bb7 | 2 | 4.5% |
| Am7 | 2 | 4.5% |
| D7b9 | 2 | 4.5% |
| Fmaj7 | 1 | 2.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 8 |
| Am7 -> D7#9 | Setup (Major Key) | 2 |
| D7#9 -> Gm7 | Resolution (Minor) | 2 |
| C7 -> Gm7 | Resolution (Minor) | 2 |
| D7b9 -> Gm7 | Resolution (Minor) | 2 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Bm7b5 -> E7b9 | Setup (Minor Key) | 1 |
| E7b9 -> Amaj7 | Resolution (Major) | 1 |
| Bm7 -> E7 | Setup (Major Key) | 1 |
| D7b13 -> Gm7 | Resolution (Minor) | 1 |
| Em7b5 -> A7#9 | Setup (Minor Key) | 1 |
| A7#9 -> Dm7 | Resolution (Minor) | 1 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs frequent ii-V-I progressions in F Major, establishing a stable tonal center that contrasts with the D minor key signature.
- Incorporates a distinct modulation to A Major using a Bm7b5 - E7b9 - Amaj7 sequence, shifting the harmonic palette briefly to a brighter, parallel key context.
- Uses the Bb7 as a backdoor dominant, providing chromatic interest and a smooth transition back to the F Major tonic.
- Features secondary dominants (D7 alt) to tonicize the Gm7 (ii) chord, creating strong internal resolutions and driving the rhythmic forward motion.
Improvisation Focus Navigating ii-V-I cycles through F Major and the temporary modulation to A Major using corresponding Major and Melodic Minor scales.
Difficulty Rating 2/5: The structure is a standard 32-bar form with clear resolutions, making it accessible for intermediate players to practice basic key center shifting.
📚 Standard Available in:
The Real Book - Volume II
🛒 Buy on AmazonAs an Amazon Associate I earn from qualifying purchases. Check the Hal Leonard Jazz Song Finder to make sure that the standard is indeed in the book before buying it.