Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C6 | 5 | 20.8% |
| D7#11 | 4 | 16.7% |
| Dm7 | 4 | 16.7% |
| G7 | 4 | 16.7% |
| Fmaj7 | 4 | 16.7% |
| D7 | 2 | 8.3% |
| G7b9 | 1 | 4.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 4 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The signature II7 chord (D7#11) functions as a secondary dominant (V/V) that utilizes the Lydian Dominant sound before resolving to the ii7 (Dm7).
- The progression relies on standard ii-V-I cadences (Dm7-G7-C6) to establish and confirm the C Major tonal center.
- The bridge modulates to the subdominant (Fmaj7), providing a classic AABA contrast and harmonic relief from the tonic.
- Use of the G7b9 altered dominant creates high-tension chromatic leading tones for a strong resolution back to the tonic.
Improvisation Focus
- D Lydian Dominant scale (4th mode of A Melodic Minor) over the D7#11 chord.
Difficulty Rating
- 2/5: The harmonic rhythm is slow and the AABA structure is predictable, though the non-diatonic II7 chord requires specific scale awareness beyond basic major scales.
π Standard Available in:
The Real Book - Volume I
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