Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Am7 | 7 | 30.4% |
| Bm7b5 | 5 | 21.7% |
| E7b13 | 5 | 21.7% |
| A7b9 | 1 | 4.3% |
| Dm7 | 1 | 4.3% |
| F7 | 1 | 4.3% |
| D7 | 1 | 4.3% |
| G7 | 1 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Bm7b5 -> E7b13 | Setup (Minor Key) | 5 |
| E7b13 -> Am7 | Resolution (Minor) | 4 |
| A7b9 -> Dm7 | Resolution (Minor) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent use of the minor ii-V-i turnaround (Bm7b5 - E7b13 - Am7) reinforces the A minor tonicity and provides a strong functional foundation.
- The A7b9 chord acts as a secondary dominant (V7/iv), tonicizing the subdominant Dm7 to create melodic tension.
- A brief modulation to the relative major occurs through a ii-V-I sequence (Dm7 - G7 - Cmaj7), offering a momentary shift in tonal color.
- The inclusion of F7 serves as a bVI7 dominant, providing a sophisticated chromatic bridge back to the primary minor cadences.
Improvisation Focus A Minor Blues scale or A Melodic Minor.
Difficulty Rating 2/5: The slow harmonic rhythm and predictable cadences make it an ideal entry point for beginners to practice navigating minor key ii-V-I progressions.
📚 Standard Available in:
The Real Book - Volume IV
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