Chord Distribution Analysis

Chord SymbolCountFrequency
Gm7b525.3%
C7b9sus25.3%
C7b925.3%
Fmaj725.3%
E7b925.3%
Amaj725.3%
Eb7b925.3%
Abmaj725.3%

Key Patterns Detected

PatternFunctionFrequency
E7b9 -> Amaj7Resolution (Major)2
Eb7b9 -> Abmaj7Resolution (Major)2
Fm9 -> C7b9/ESetup (Major Key)1
C7b9/E -> Fm9/EbResolution (Minor)1
Bbm9 -> F7b9/ASetup (Major Key)1
F7b9/A -> Bbm9/AbResolution (Minor)1
Gm7b5 -> C7b9susSetup (Minor Key)1
C7b9 -> Fmaj7Resolution (Major)1
F7b9 -> Bbmaj7Resolution (Major)1
Bm7b5 -> E7b9Setup (Minor Key)1
Amaj7 -> E7b9Setup (Major Key)1
Abmaj7 -> Eb7b9Setup (Major Key)1
D7b9 -> Gmaj7Resolution (Major)1
Gm7b5 -> C7b9Setup (Minor Key)1
C7b9 -> Fmaj7/CResolution (Major)1
C7b9sus -> FmResolution (Minor)1

Harmonic Highlights

  • Employs a sophisticated chromatic descending line clichĂ© (Fm9–C7/E–Fm/Eb–Dm7b5) within the parallel minor, establishing a cinematic, melancholic atmosphere.
  • Features frequent subdominant minor borrowing (Bbm9, Bbm6/F), which provides a bittersweet “dark-to-light” resolution when returning to F major.
  • Utilizes a sudden tertiary modulation to A major via a ii-V progression (Bm7b5–E7b9), showcasing Legrand’s penchant for shifting to distantly related keys.
  • Integrates minor ii-V-i cells (Gm7b5–C7b9) that pivot between the tonic major and parallel minor centers.

Improvisation Focus F Melodic Minor and its modes to navigate the dark tonality and chromatic bass movements.

Difficulty Rating 4/5. The constant shifting between parallel tonalities and the abrupt modulations to remote keys require advanced harmonic fluency and precise voice leading.