Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 7 | 20.6% |
| F6 | 5 | 14.7% |
| C7 | 5 | 14.7% |
| D7 | 3 | 8.8% |
| Bb6 | 3 | 8.8% |
| Gm7 | 2 | 5.9% |
| Dm7 | 2 | 5.9% |
| G7 | 2 | 5.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm7 | Resolution (Minor) | 2 |
| Gm7 -> C7 | Setup (Major Key) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
| Cm7 -> F7 | Setup (Major Key) | 1 |
πΌ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Extended tonic stability in F major is disrupted by a secondary dominant (D7), functioning as a V/ii to drive the harmony toward Gm7.
- A chromatic passing diminished chord (C#ΒΊ7) facilitates smooth linear voice leading between the C7 and Dm7 chords.
- The progression utilizes the II7 (G7) chord as a V/V, creating a strong secondary dominant pull toward the primary dominant (C7).
Improvisation Focus Chord-tone arpeggiation targeting the 3rds and 7ths of secondary dominants (D7 and G7).
Difficulty Rating 2; the slow harmonic rhythm and strong diatonic foundation make it an accessible entry point for learning New Orleans-style improvisation.
π Standard Available in:
The Real Book - Volume II
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