Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 10 | 25.6% |
| Gm7 | 9 | 23.1% |
| F/A | 2 | 5.1% |
| Ab07 | 2 | 5.1% |
| Gm6 | 2 | 5.1% |
| Eb/G | 2 | 5.1% |
| C7b9 | 2 | 5.1% |
| Am7b5 | 2 | 5.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7b9 | Setup (Major Key) | 2 |
| C7b9 -> Fmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- The progression utilizes an Ab°7 chromatic passing chord (#ii°7) to transition from F/A to Gm6, functioning as a rootless secondary dominant (D7b9) targeting the ii chord.
- Modal interchange is introduced via the Eb/G chord, providing a bVII subdominant flavor borrowed from F Mixolydian.
- The structure features a very slow harmonic rhythm, with the Imaj7 and iim7 chords often sustained for four to five measures, emphasizing horizontal melodic development.
- The C7b9 creates a strong V-I tension-resolution pattern by utilizing the b9 (Db) to lead voice-leading toward the fifth of the Fmaj7.
Improvisation Focus F Major / Ionian scale.
Difficulty Rating 2/5. The slow harmonic pace and primarily diatonic structure provide a clear, accessible framework for novice improvisers.
📚 Standard Available in:
The Real Vocal Book - Volume II
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