Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fmaj7 | 10 | 25.6% |
| Gm7 | 9 | 23.1% |
| F/A | 2 | 5.1% |
| Ab07 | 2 | 5.1% |
| Gm6 | 2 | 5.1% |
| Eb/G | 2 | 5.1% |
| C7b9 | 2 | 5.1% |
| Am7b5 | 2 | 5.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7b9 | Setup (Major Key) | 2 |
| C7b9 -> Fmaj7 | Resolution (Major) | 1 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
| C7 -> Fmaj7 | Resolution (Major) | 1 |
- The
Ab07chord serves as a chromatic passing diminished, creating tension en route to theGm6(ii) chord. - The non-diatonic
Eb/G(bVIImaj7) acts as a colorful modal interchange or substitution, momentarily shifting the tonal palette around theGmarea. - A strong
Gm7 - C7b9 - Fmaj7(ii-V-I) progression provides a clear, conventional resolution back to the tonic.
Improvisation Focus: Targeting chord tones with chromatic embellishment, especially around the non-diatonic sections.
Difficulty Rating: 3 (Intermediate) - The standard ii-V-I progressions are approachable, but the chromatic diminished and modal interchange chords require careful navigation.