Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dbmaj7 | 8 | 26.7% |
| Ab7 | 6 | 20.0% |
| Ebm7 | 3 | 10.0% |
| D07 | 2 | 6.7% |
| Gb7 | 2 | 6.7% |
| B7 | 2 | 6.7% |
| E7 | 2 | 6.7% |
| G7 | 1 | 3.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Ab7 -> Dbmaj7 | Resolution (Major) | 3 |
| Ebm7 -> Ab7 | Setup (Major Key) | 3 |
| Dbmaj7 -> Ab7 | Setup (Major Key) | 2 |
Harmonic Highlights
- The A section utilizes a classic $I - V^7 - I$ structure, incorporating a #I diminished chord ($D^{\circ 7}$) to create a chromatic transition to the $ii - V^7$ turnaround.
- The bridge features a sophisticated sequence of dominant chords ($Gb^7, B^7, E^7, A^7$) moving in a cycle of fourths, often embellished with chromatic “side-slipping” (e.g., $Gb^7 - G^7 - Gb^7$).
- Tonicization of the IV chord ($Gb^7$) at the start of the bridge shifts the tonal center before cycling back to the primary $Db$ major key via an $A^7$ to $Ab^7$ (subV to V) resolution.
Improvisation Focus Mixolydian scales and dominant arpeggios, specifically focusing on voice-leading through the sequential dominant seventh chords in the bridge.
Difficulty Rating 3/5 (Intermediate) — The A section is a standard swing progression, but the bridge requires navigating rapid, sequential dominant modulations and chromatic passing chords.