Chord Distribution Analysis

Chord SymbolCountFrequency
Bbmaj7513.5%
Em7b5410.8%
A7b938.1%
Cm738.1%
G7b1325.4%
Ab7#1125.4%
F712.7%
Fm712.7%

Key Patterns Detected

PatternFunctionFrequency
Em7b5 -> A7b9Setup (Minor Key)3
Cm7 -> F7Setup (Major Key)1
Fm7 -> Bb7Setup (Major Key)1
Bb7 -> Ebmaj7Resolution (Major)1
Ebmaj7 -> Ab7Setup (Major Key)1
A7b9 -> Dm7Resolution (Minor)1
Bbm7 -> Eb7Setup (Major Key)1
Gm7 -> C7Setup (Major Key)1
Am7b5 -> D7b9Setup (Minor Key)1
G7b13 -> Cm7Resolution (Minor)1
A7b9 -> Dm7b5Resolution (Minor)1
Dm7b5 -> G7b9Setup (Minor Key)1
G7b9 -> Cm7b5Resolution (Minor)1
Cm7b5 -> F7b9Setup (Minor Key)1
F7b9 -> Bbmaj7Resolution (Major)1

Harmonic Highlights

  • The opening ii-V (Em7b5 to A7b9) targets D minor, the v-minor, creating immediate tonal ambiguity by avoiding the G minor tonic.
  • Employs descending ii-V sequences (Cm7-F7 followed by Fm7-Bb7) that cycle through transient tonal centers including Bb and Eb.
  • Features a “backdoor” dominant (Ab7) resolving from IV (Ebmaj7) toward the Bb/Gm tonic area, showcasing non-functional chromatic movement.
  • Incorporates subdominant minor movements (Bbm7 to Eb7) to pivot toward F major, momentarily shifting the modal center before returning to minor-inflected cadences.

Improvisation Focus Voice leading through shifting ii-V-I cells.

Difficulty Rating 4/5 - The constant modulation and non-diatonic starting point require advanced harmonic fluency and melodic flexibility to navigate the rapidly changing key centers.


πŸ“š Standard Available in:

The Real Book - Volume I
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