Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm | 7 | 46.7% |
| C7 | 6 | 40.0% |
| Bbm | 2 | 13.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm -> C7 | Setup (Major Key) | 5 |
| C7 -> Fm | Resolution (Minor) | 5 |
Harmonic Highlights
- The progression is heavily dominated by the i-V7 (Fm-C7) relationship, firmly establishing F minor.
- The C7 (V7) functions as a strong dominant, consistently resolving back to the tonic Fm.
- The Bbm (iv) chord introduces a brief subdominant color, offering a slight harmonic variation before returning to the dominant-tonic cycle.
- The overall structure is highly repetitive and cyclical, characteristic of early jazz and blues forms.
Improvisation Focus F Minor Blues scale.
Difficulty Rating 1 (Beginner) - The minimal and highly repetitive harmonic progression with a clear i-V7 framework makes it very accessible for learning.