Chord Distribution Analysis

Chord SymbolCountFrequency
Gbmaj7#11610.7%
C#7alt47.1%
E9sus47.1%
G7alt47.1%
Gb0747.1%
G#7alt23.6%
Bb1323.6%
Bb7#523.6%

Key Patterns Detected

PatternFunctionFrequency
C7 -> Fmaj7Resolution (Major)1

Harmonic Highlights

  • Utilizes “floating” sus chords (Ab13sus, Eb9sus) that avoid traditional functional resolutions, creating an impressionistic landscape typical of Hancock’s post-bop style.
  • Employs frequent altered dominants (C#7alt, G7alt) as non-functional color shifts rather than standard V-I cadences, requiring constant tonal tracking.
  • Features chromatic mediant relationships and sudden shifts between unrelated tonal centers, such as moving from Bb7#5 to Bbm9.
  • Uses Gbmaj7#11 and Gb07 to create a sophisticated, dark Lydian/Symmetrical diminished texture within the Bb minor context.

Improvisation Focus Melodic Minor modes (specifically Altered and Lydian Dominant scales) to navigate the dense, non-functional dominant extensions.

Difficulty Rating 4/5: The absence of standard ii-V-I progressions and the prevalence of non-resolving suspended chords require advanced modal fluidity and melodic sensitivity.


📚 Standard Available in:

The Real Book - Volume II
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