Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gbmaj7#11 | 6 | 10.7% |
| C#7alt | 4 | 7.1% |
| E9sus | 4 | 7.1% |
| G7alt | 4 | 7.1% |
| Gb07 | 4 | 7.1% |
| G#7alt | 2 | 3.6% |
| Bb13 | 2 | 3.6% |
| Bb7#5 | 2 | 3.6% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C7 -> Fmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Utilizes “floating” sus chords (Ab13sus, Eb9sus) that avoid traditional functional resolutions, creating an impressionistic landscape typical of Hancock’s post-bop style.
- Employs frequent altered dominants (C#7alt, G7alt) as non-functional color shifts rather than standard V-I cadences, requiring constant tonal tracking.
- Features chromatic mediant relationships and sudden shifts between unrelated tonal centers, such as moving from Bb7#5 to Bbm9.
- Uses Gbmaj7#11 and Gb07 to create a sophisticated, dark Lydian/Symmetrical diminished texture within the Bb minor context.
Improvisation Focus Melodic Minor modes (specifically Altered and Lydian Dominant scales) to navigate the dense, non-functional dominant extensions.
Difficulty Rating 4/5: The absence of standard ii-V-I progressions and the prevalence of non-resolving suspended chords require advanced modal fluidity and melodic sensitivity.
📚 Standard Available in:
The Real Book - Volume II
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