Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 11 | 20.4% |
| C7 | 11 | 20.4% |
| D7 | 10 | 18.5% |
| F6 | 7 | 13.0% |
| Am7 | 5 | 9.3% |
| Cm7 | 2 | 3.7% |
| F7 | 2 | 3.7% |
| Bbmaj7 | 2 | 3.7% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 11 |
| D7 -> Gm7 | Resolution (Minor) | 10 |
| Am7 -> D7 | Setup (Major Key) | 5 |
| Cm7 -> F7 | Setup (Major Key) | 2 |
| F7 -> Bbmaj7 | Resolution (Major) | 2 |
| Bbmaj7 -> Eb7 | Setup (Major Key) | 2 |
Harmonic Highlights:
- Employs a standard ii-V-I progression (Gm7-C7-F6) establishing the F major tonic.
- Features frequent use of the secondary dominant D7 (V7/ii), consistently leading to the Gm7 chord.
- Introduces a temporary tonicization of the subdominant (Bbmaj7) via a clear ii-V-I progression (Cm7-F7-Bbmaj7).
Improvisation Focus: F Major scale and its related modes (e.g., Mixolydian over C7 and D7).
Difficulty Rating: 2 (Beginner) – The harmony is largely diatonic with predictable secondary dominant and ii-V-I progressions, making it accessible.