Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm7 | 6 | 14.6% |
| Abmaj7 | 4 | 9.8% |
| Bb7 | 4 | 9.8% |
| Am7b5 | 3 | 7.3% |
| Ebmaj7 | 2 | 4.9% |
| Eb7 | 2 | 4.9% |
| Ab07 | 2 | 4.9% |
| Ebmaj7/G | 2 | 4.9% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 4 |
| Eb7 -> Abmaj7 | Resolution (Major) | 2 |
| Ab07 -> Ebmaj7/G | Resolution (Major) | 2 |
| Am7b5 -> D7b9 | Setup (Minor Key) | 1 |
| C7 -> Fm7 | Resolution (Minor) | 1 |
| Bb7 -> Ebmaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Frequent use of diminished passing chords (Ab°7, Gb°7, E°7) creates smooth chromatic bass motion connecting the I, IV, and ii chords.
- The subdominant minor (Abm6) provides a classic “sentimental” resolution to the tonic (Eb6/G), a hallmark of Gershwin’s harmonic language.
- A secondary ii-V sequence (Am7b5 to D7b9) creates a temporary pull toward the mediant (Gm7), adding sophisticated tonal variety beyond simple diatonicism.
Improvisation Focus Eb Major Bebop scale, emphasizing chord tones and chromatic voice-leading to bridge the frequent diminished passing chords.
Difficulty Rating 2/5: The slow ballad tempo provides ample time to navigate the dense harmonic rhythm and chromatic transitions.
📚 Standard Available in:
The Real Book - Volume V
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