Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| C6 | 11 | 17.5% |
| G7 | 9 | 14.3% |
| Fmaj7 | 6 | 9.5% |
| Dm7 | 5 | 7.9% |
| Am7 | 4 | 6.3% |
| G7/D | 4 | 6.3% |
| C | 4 | 6.3% |
| Gm7 | 2 | 3.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7#5 | Setup (Major Key) | 2 |
| C7#5 -> Fmaj7 | Resolution (Major) | 2 |
| A7b9 -> Dm7 | Resolution (Minor) | 2 |
| Bm7b5 -> E7#9 | Setup (Minor Key) | 2 |
| E7#9 -> Am7 | Resolution (Minor) | 2 |
| C7/G -> Fmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| Dm7 -> G7sus | Setup (Major Key) | 1 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Secondary Dominant Transition: Uses a
Gm7 - C7#5sequence to create a ii-V leading to the subdominantFmaj7, introducing chromaticism to the diatonic C major framework. - Minor Turnaround: Employs a
Bm7b5 - E7#9 - Am7(ii-V-i) progression to briefly tonicize the relative minor, providing harmonic depth through altered dominant tensions. - Stepwise Diatonic Descent: The
Fmaj7 - Em7 - Dm7 - G7sequence establishes a clear IV-iii-ii-V functional path back to the tonic.
Improvisation Focus C Major scale logic with targeted “accidental” awareness to navigate the secondary dominants (e.g., Bb over C7 and G# over E7).
Difficulty Rating 2/5. The harmonic rhythm is steady and the modulations are standard functional jazz tropes, making it accessible for intermediate soloists.
๐ Standard Available in:
The Real Book - Volume VI
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