Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Amaj7 | 3 | 7.9% |
| F#m7 | 3 | 7.9% |
| Bm7 | 3 | 7.9% |
| Bbm7 | 2 | 5.3% |
| Bbmaj7 | 2 | 5.3% |
| A7b13 | 2 | 5.3% |
| Dm7 | 2 | 5.3% |
| E7 | 2 | 5.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| A7b13 -> Dm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 2 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| F7b9#5 -> Bbm7 | Resolution (Minor) | 1 |
| Bbm7 -> Eb7b9 | Setup (Major Key) | 1 |
| Eb7b9 -> Abmaj7 | Resolution (Major) | 1 |
| Cm7b5 -> F7b9 | Setup (Minor Key) | 1 |
| F7b9 -> Bbmaj7#5 | Resolution (Major) | 1 |
| Em7b5 -> A7b13 | Setup (Minor Key) | 1 |
| Bbm7 -> Eb7 | Setup (Major Key) | 1 |
| C#m7 -> F#7b9 | Setup (Major Key) | 1 |
| E7 -> Amaj7 | Resolution (Major) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs chromatic planing (G#m7–Gm7–F#m7) to bridge the tonic A major with its relative minor subdominant via passing motion.
- Features rapid, non-functional modulations using altered dominant chains (C7#5 to F7b9#5) to transition between distant tonal centers like E major and Ab major.
- Utilizes minor ii-V-I cells (Cm7b5–F7b9–Bbmaj7) that resolve deceptively to major keys, creating high harmonic density.
- Integrates secondary dominants with altered extensions (A7b13) to pivot smoothly toward subdominant areas like D minor.
Improvisation Focus Voice leading through rapid tonal center modulations.
Difficulty Rating 4/5: The dense harmonic rhythm and frequent shifts between distantly related keys require advanced proficiency in functional analysis and melodic minor applications.