Chord Distribution Analysis

Chord SymbolCountFrequency
Fm6412.5%
G7sus39.4%
F#0739.4%
F726.2%
Fm726.2%
Bb726.2%
Cmaj726.2%
Dm726.2%

Key Patterns Detected

PatternFunctionFrequency
Fm7 -> Bb7Setup (Major Key)2
Am7 -> D7susSetup (Major Key)2

Harmonic Highlights

  • Modal interchange is central, frequently pivoting between F major and the parallel F minor via the ivm6 (Fm6) and bVII7 (Bb7) chords.
  • Chromatic ascending motion is utilized through the #iv diminished chord (F#o7), acting as a passing tonicization toward the ii or V.
  • The bridge employs sequential ii-V patterns (Em7โ€“A7 to Dm7โ€“G7), cycling through temporary key centers before returning to the tonic F.
  • Extensive use of dominant seventh sus chords (G7sus, D7sus) creates “longing” tensions that delay resolution, a hallmark of Kurt Weill’s theatrical style.

Improvisation Focus

F Melodic Minor (effectively navigating the transition between the major tonic and the minor iv6 sonorities).

Difficulty Rating

3/5: The moderate tempo allows for melodic development, but the frequent shifts between parallel major and minor modes require disciplined chord-tone targeting.


๐Ÿ“š Standard Available in:

The Real Book - Volume II
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