Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Fm6 | 4 | 12.5% |
| G7sus | 3 | 9.4% |
| F#07 | 3 | 9.4% |
| F7 | 2 | 6.2% |
| Fm7 | 2 | 6.2% |
| Bb7 | 2 | 6.2% |
| Cmaj7 | 2 | 6.2% |
| Dm7 | 2 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Fm7 -> Bb7 | Setup (Major Key) | 2 |
| Am7 -> D7sus | Setup (Major Key) | 2 |
๐ผ Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Modal interchange is central, frequently pivoting between F major and the parallel F minor via the ivm6 (Fm6) and bVII7 (Bb7) chords.
- Chromatic ascending motion is utilized through the #iv diminished chord (F#o7), acting as a passing tonicization toward the ii or V.
- The bridge employs sequential ii-V patterns (Em7โA7 to Dm7โG7), cycling through temporary key centers before returning to the tonic F.
- Extensive use of dominant seventh sus chords (G7sus, D7sus) creates “longing” tensions that delay resolution, a hallmark of Kurt Weill’s theatrical style.
Improvisation Focus
F Melodic Minor (effectively navigating the transition between the major tonic and the minor iv6 sonorities).
Difficulty Rating
3/5: The moderate tempo allows for melodic development, but the frequent shifts between parallel major and minor modes require disciplined chord-tone targeting.
๐ Standard Available in:
The Real Book - Volume II
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