Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Bm7 | 4 | 10.5% |
| Cm7 | 3 | 7.9% |
| Abm7 | 3 | 7.9% |
| F#m7 | 3 | 7.9% |
| Gmaj7 | 3 | 7.9% |
| Cmaj7 | 3 | 7.9% |
| Fm7 | 2 | 5.3% |
| Bbm7 | 2 | 5.3% |
No obvious ii-V patterns detected.
Harmonic Highlights:
- Extended descending cycle of minor seventh chords (e.g., Cm7-Fm7-Bbm7) creates sustained pre-dominant tension before resolving to F#m7.
- Abrupt modal shifts and Lydian colorations are introduced via non-diatonic major 7#11 chords (Gmaj7#11, Dmaj7#11).
- Non-functional chromatic progressions like F#m7-Fmaj7-Cmaj7 feature parallel major 7th chord movement, defying traditional voice leading.
- Ambiguous suspended dominant chords (A/B) are employed for reharmonization and open-ended cadential approaches.
Improvisation Focus: Navigating instantaneous modal shifts and superimposed harmonic colors.
Difficulty Rating: 5 The frequent, non-diatonic modulations and complex chord voicings demand advanced harmonic knowledge and improvisational adaptability.