Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F#m | 14 | 18.7% |
| G#7 | 9 | 12.0% |
| C#7#5 | 7 | 9.3% |
| C#7 | 5 | 6.7% |
| Bm7 | 4 | 5.3% |
| Dmaj7 | 3 | 4.0% |
| D9#11 | 3 | 4.0% |
| D7#9 | 3 | 4.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| C#7#5 -> F#m | Resolution (Minor) | 7 |
| G#m7b5 -> C#7 | Setup (Minor Key) | 3 |
| C#7 -> F#m | Resolution (Minor) | 3 |
| F#m7 -> B7 | Setup (Major Key) | 2 |
| C#7#9 -> F#m | Resolution (Minor) | 1 |
| B7 -> F#m7 | Resolution (Minor) | 1 |
| B7 -> Emaj7 | Resolution (Major) | 1 |
| Am7 -> D7 | Setup (Major Key) | 1 |
| D7 -> Gmaj7 | Resolution (Major) | 1 |
| Gmaj7 -> C7 | Setup (Major Key) | 1 |
| Am7 -> D7b9 | Setup (Major Key) | 1 |
| C#7#5#9 -> F#m | Resolution (Minor) | 1 |
- Frequent use of Dmaj7 (bVImaj7) provides modal color, often initiating altered dominant cycles or leading to V/V.
- Intense chromaticism through altered dominants like G#7#5#9 and C#7#5, showcasing complex tension-release within F# minor.
- Incorporates advanced substitutions such as D9#11/D7#9 (bVI alt. dominant) and Eb13 (tritone substitution for A7), adding modern jazz complexity.
- A clear iiø7-V7-i cadence (G#m7b5-C#7-F#m) grounds the harmonic adventurousness.
Improvisation Focus: Altered Scale (Super Locrian) over the numerous dominant 7th chords.
Difficulty Rating: 5 (Advanced) This standard requires fluent navigation of numerous altered dominant scales and complex, non-diatonic chord changes.