Re: Person I Knew (F major) - Jazz Analysis & Chords

Chord Distribution Analysis

No obvious ii-V patterns detected.

Harmonic Highlights

• The composition is built entirely on a C pedal point, acting as a static anchor that allows the upper-structure harmonies to shift between tonic and dominant functions without bass movement.
• It features non-functional chromaticism, where polychords like Db/C and Bbmaj7/C create parallel tension and release, bypassing traditional ii-V-I cadential logic.
• Shifting modal colors are used extensively, moving between C Mixolydian, C Dorian, and C Lydian dominant through the use of F minor/major and Bb major extensions.
• Voice leading is prioritized over harmonic function, with inner voices moving chromatically (e.g., C69 to Caug) to provide a sense of forward motion despite the static bass.

Improvisation Focus Modal interchange and melodic development over a static C pedal point.

Difficulty Rating 4/5; navigating the lack of functional resolutions while maintaining melodic coherence over a constant pedal requires advanced harmonic awareness and rhythmic maturity.