Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Em7 | 3 | 7.1% |
| B7#5 | 2 | 4.8% |
| F#7 | 2 | 4.8% |
| Bm7 | 2 | 4.8% |
| E7 | 2 | 4.8% |
| Bb7#11 | 2 | 4.8% |
| Eb9 | 2 | 4.8% |
| Abm9 | 2 | 4.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| B7#5 -> Em7 | Resolution (Minor) | 2 |
| F#7 -> Bm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 2 |
| E7#9 -> Am7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| F#m7b5 -> B7#5 | Setup (Minor Key) | 1 |
| Eb7#5#9 -> Abm9 | Resolution (Minor) | 1 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
| G7 -> Cm7 | Resolution (Minor) | 1 |
| D7#5 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Uses a Neapolitan-style opening (Fmaj7 to E7#9), creating immediate Phrygian-dominant tension that resolves toward the subdominant Am7.
- Employs frequent minor ii-V-i sequences (F#m7b5 - B7#5 - Em7) that shift abruptly into the key of B minor via secondary dominants like F#7.
- Integrates Lydian Dominant textures (D9#11) and altered dominant tensions (B7#5) to bridge non-diatonic chord movements.
- Features “constant structure” patterns where ii-V cycles repeat across different tonal centers, requiring agile harmonic navigation.
Improvisation Focus Melodic Minor (specifically E and B Melodic Minor) to address altered dominants and m7b5 chords.
Difficulty Rating 4/5 - The piece demands rapid switching between minor key centers and mastery over altered dominant extensions in a non-functional context.