Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Em7 | 3 | 7.1% |
| B7#5 | 2 | 4.8% |
| F#7 | 2 | 4.8% |
| Bm7 | 2 | 4.8% |
| E7 | 2 | 4.8% |
| Bb7#11 | 2 | 4.8% |
| Eb9 | 2 | 4.8% |
| Abm9 | 2 | 4.8% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| B7#5 -> Em7 | Resolution (Minor) | 2 |
| F#7 -> Bm7 | Resolution (Minor) | 2 |
| Bm7 -> E7 | Setup (Major Key) | 2 |
| E7#9 -> Am7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| F#m7b5 -> B7#5 | Setup (Minor Key) | 1 |
| Eb7#5#9 -> Abm9 | Resolution (Minor) | 1 |
| Dm7b5 -> G7 | Setup (Minor Key) | 1 |
| G7 -> Cm7 | Resolution (Minor) | 1 |
| D7#5 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
Harmonic Highlights:
- Starts with an unconventional Fmaj7 (bIImaj7), establishing immediate harmonic ambiguity outside of a diatonic minor sound.
- Features frequent secondary dominants (e.g., F#7 to Bm7, E7 to Am7) that briefly tonicize related minor chords, adding dynamic internal movement.
- The D9#11 resolving to Dm9 presents an unusual Lydian Dominant movement to its parallel minor, defying typical V-I resolution.
- Incorporates chromatic shifts like C9 to Dmaj7, providing rich color and momentary modal shifts away from pure E natural minor.
Improvisation Focus: Effectively outlining altered dominant harmonies and their associated scales.
Difficulty Rating: 4 (Advanced). The frequent non-diatonic chords, altered dominants, and unexpected resolutions demand sophisticated harmonic awareness.