Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dm | 6 | 13.0% |
| Dmb6 | 4 | 8.7% |
| Dm6 | 4 | 8.7% |
| Gm7 | 3 | 6.5% |
| Dm7 | 2 | 4.3% |
| Am7 | 2 | 4.3% |
| Bbmaj7 | 2 | 4.3% |
| C7sus | 2 | 4.3% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Cm7 -> F7 | Setup (Major Key) | 2 |
| A7#5#9 -> Dm | Resolution (Minor) | 2 |
| Gm7/D -> D7b9 | Setup (Major Key) | 2 |
| D7b9 -> Gm7/D | Resolution (Minor) | 1 |
| D7b9 -> Gm7 | Resolution (Minor) | 1 |
| A7b9 -> Dm | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights
- Employs a minor line cliché (Dm–Dmb6–Dm6–Dm7), utilizing chromatic internal voice leading over a static D minor tonic.
- Incorporates a ii-V interpolation (Cm7–F7) that functions as a secondary tonicization of the IV chord (Bbmaj7).
- Features a dense chromatic turnaround (B7#5#9 to Bb7#11 to A7#5#9) creating high-tension dominant substitutions that resolve to the tonic.
Improvisation Focus D Melodic Minor to navigate the shifting 6th and 7th degrees and the specific altered dominant tensions.
Difficulty Rating 4/5. The fast 3/4 feel and rapid-fire altered dominants require advanced modal fluency and precise navigation of non-diatonic changes.