Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| F6 | 6 | 30.0% |
| B07 | 2 | 10.0% |
| C7 | 2 | 10.0% |
| Bb9 | 1 | 5.0% |
| F6/C | 1 | 5.0% |
| G7 | 1 | 5.0% |
| F7 | 1 | 5.0% |
| Bb6 | 1 | 5.0% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| D7 -> Gm7 | Resolution (Minor) | 1 |
| Gm7 -> C7 | Setup (Major Key) | 1 |
- Prominent use of the IV9 chord (Bb9) before resolving to the tonic, imparting a distinct bluesy and gospel feel.
- Strategic deployment of the B07 (enharmonically C#dim7) as a chromatic passing diminished, creating tension and frequently linking the IV chord to the tonic or dominant.
- Clear functional harmony featuring standard II7-V7-I progressions (G7-C7-F6) and secondary dominant chords like F7 (V7/IV) and A7 (V7/ii).
Improvisation Focus: F Blues scale.
Difficulty Rating: 2/5 - The harmonic progression is largely diatonic and follows predictable patterns, with chromatic diminished chords being manageable once understood.