Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gm7 | 9 | 28.1% |
| C7 | 9 | 28.1% |
| Fmaj7 | 3 | 9.4% |
| Ab07 | 2 | 6.2% |
| Dm7 | 2 | 6.2% |
| G7 | 2 | 6.2% |
| F6 | 2 | 6.2% |
| F#07 | 1 | 3.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Gm7 -> C7 | Setup (Major Key) | 8 |
| C7 -> Gm7 | Resolution (Minor) | 6 |
| C7 -> Fmaj7 | Resolution (Major) | 2 |
| Dm7 -> G7 | Setup (Major Key) | 2 |
| A7 -> Dm7 | Resolution (Minor) | 1 |
| G7 -> Dm7 | Resolution (Minor) | 1 |
🎼 Sheet Music
Find Lead Sheet on Sheet Music Direct (PDF)Harmonic Highlights:
- The $Ab^{\circ 7}$ acts as a chromatic passing chord ($bIII^{\circ 7}$) providing smooth voice-leading between the $Imaj7$ and $ii7$.
- Extended $ii-V$ sequences ($Gm7-C7$) dominate the A sections, creating a cyclical harmonic rhythm typical of early swing era standards.
- The bridge utilizes a $V/vi$ to $vi$ move ($A7$ to $Dm7$) followed by a $V/V$ to $V$ ($G7$ to $C7$), shifting the tonal center briefly toward the relative minor.
- The $F#^{\circ 7}$ functions as a secondary leading-tone chord ($\sharp I^{\circ 7}$), intensifying the resolution to the $ii$ chord.
Improvisation Focus: F Major Bebop scale integrated with diminished arpeggio substitutions over chromatic passing chords.
Difficulty Rating: 2/5: The harmonic structure relies on standard diatonic functions and predictable secondary dominants, making it highly accessible for developing soloists.
📚 Standard Available in:
The Real Book - Volume I
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