Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Gbmaj7 | 3 | 9.1% |
| Amaj7 | 3 | 9.1% |
| G7#11 | 2 | 6.1% |
| Dmaj7 | 2 | 6.1% |
| F#m7 | 2 | 6.1% |
| Cmaj7 | 2 | 6.1% |
| Dm7 | 2 | 6.1% |
| G7 | 2 | 6.1% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| Dm7 -> G7 | Setup (Major Key) | 2 |
| F#m7 -> B7 | Setup (Major Key) | 1 |
| B7 -> Em7 | Resolution (Minor) | 1 |
| Em7 -> A7 | Setup (Major Key) | 1 |
| A7 -> Dmaj7 | Resolution (Major) | 1 |
| G7 -> Cmaj7 | Resolution (Major) | 1 |
| Bm7 -> E7b9 | Setup (Major Key) | 1 |
| E7b9 -> Amaj7 | Resolution (Major) | 1 |
Harmonic Highlights:
- Opens with a non-diatonic
Gbmaj7(bVIMaj7 in D) paired withG7#11(IV7#11), immediately establishing a highly chromatic and altered soundscape. - Features descending modulations by minor thirds through minor ii-V-I progressions (e.g.,
Abm7-Cmaj7,Am7-Fmaj7), a signature Clare Fischer harmonic device. - Utilizes frequent altered dominant chords like
G7#11,Eb7#9, andE7#9, adding significant harmonic tension and coloristic possibilities.
Improvisation Focus: Navigating altered dominant and Lydian sounds.
Difficulty Rating: 5 (Advanced) - The pervasive chromaticism, rapid non-functional modulations, and frequent use of altered extensions demand a sophisticated harmonic understanding and ear.