Chord Distribution Analysis
| Chord Symbol | Count | Frequency |
|---|---|---|
| Dbmaj7 | 2 | 12.5% |
| Abmaj7#11/G | 2 | 12.5% |
| Cm | 2 | 12.5% |
| A7alt | 1 | 6.2% |
| Abmaj7#11 | 1 | 6.2% |
| F/G | 1 | 6.2% |
| F#7alt | 1 | 6.2% |
| Bm | 1 | 6.2% |
Key Patterns Detected
| Pattern | Function | Frequency |
|---|---|---|
| F#7alt -> Bm | Resolution (Minor) | 1 |
Harmonic Highlights
- Prominent use of
maj7#11chords, including the tonicAbmaj7#11/G, establishes a persistent Lydian color and unique bass movement. - Frequent tritone substitutions (
A7altfor Eb7,F#7altfor C#7) are employed for dominant resolutions, often creating unexpected root movements. - Rapid, non-functional harmonic shifts and transient tonicizations prevent a stable tonal center, moving quickly through
Bm,Gmaj7#11,Cmaj7#11, and abruptAb7altresolutions.
Improvisation Focus
Focus on Lydian (for maj7#11) and Altered scales (for alt7) to navigate the dense harmony and frequent non-diatonic changes.
Difficulty Rating 5 (Advanced). The constant harmonic density, rapid modulations, and complex voicings demand a high level of improvisational and theoretical understanding.